Source: 15th century Italian; Joy and Jealousy
Setting: a three couple set
Version: 1.0
A: (2 bars in quadernaria (4/4), played twice, plus 2 more bars)1-2
(three times), 3-4 8 Saltarelli, starting left. B: (3 bars in quadernaria (4/4), played twice.)5-6
Man 1 does 3 contrapassii (all left) around W1 to reverenceleft to W2,
7
Man 2 Saltarello right to M1's place.5-6
Man 1 does 3 contrapassii (all left) around W2 to reverenceleft to W3.
7
Man 3 Saltarello right to M2's place. C: (1 bar in quadernaria (4/4).)8
Man 1 Saltarello right behind W1 to M3's place. D: (2 bars in quadernaria (4/4), played twice.)9-10
(twice) (take hands) 8 Pive (starting left) (note double speed). E: (1 bar in quadernaria (4/4), played 3 times.)11
(drop hands) Couple 1 piva left to mezavolta (turn 180 degrees to left),11
Couple 2 the same,11
Couple 3 the same, while all men mezavolta left to face up.(The women are now facing down, the men up.) F: (3 bars in piva (2/4), played twice.)
12-14
(hold right hands) 3 sempii (starting left) to trade places,12-14
(hold left hands) 3 sempii (starting right) to return to place.Men end with mezavolta to face forward.
Repeat dance twice more, until each man returns to his starting place.
Discussion:
Note that this version of Gelosia is by Domenico. Another Gelosia commonly danced in the SCA is the variant by Guglielmo Ebreo. It has a different number of starting saltarelli (12?), and part F is repeated a 3rd time, giving the men additional time to turn around.
Disclaimer: a cheat sheet does not do justice to explaining how to properly do a 15th century Italian dance.